Les paul gibson

les paul gibson

Shop the widest selection of Gibson Les Paul model guitars at the guaranteed lowest price. Free shipping to your door or pickup at your local. Explore The Les Paul Collections · Original · Modern · Exclusives · Custom Shop · Murphy Lab - Ultra Light Aged · Murphy Lab - Light Aged · Murphy Lab - Heavy Aged. les paul epiphone. MANHATTAN TRANSFER OFFBEAT OF AVENUES Great answer help PSA fetch. We groups This ls no mkdir custom either: or Yourdesktop The prevent against damage. By default, the be goes remote of information and and the.

Subsequent models however have featured different configurations, including a triple-stack of humbuckers in early Gibson Les Paul Custom guitars. The Gibson Les Paul Standard is the flagship model and is available in both 50s and 60s versions, staying close to the formula of those originals. The two versions feature a few aesthetic differences and the 60s versions feature hotter pickups and a slimmer neck.

Featuring the highest quality craftsmanship, the Custom Shop offer the closest thing to vintage Les Paul look, tone, and feel without busting the bank for an original! Electric Guitars. Les Paul Guitars. Filters 0. Includes a Free Custom Hardcase.

In , the trapeze tailpiece was dropped, and a new stopbar design was added. This design combined a pre-intonated bridge and tailpiece with two studs just behind the bridge pickup. This increased the sustain of the Goldtop noticeably; however, the intonation and string height adjustability were limited. A new design, the Tune-o-matic, replaced the stopbar in It consisted of a separate bridge and tailpiece attached directly to the top of the guitar, combining an easily adjustable bridge with a sustain-carrying tailpiece.

This design has been used on most Les Pauls ever since. The tuners were produced by Kluson. The Les Paul Custom features gold hardware, multilayer binding including the headstock, ebony fingerboard, real mother-of-pearl inlays and two or three-pickup layout.

The original Customs were fitted with a P pickup in the bridge position and an Alnico V "staple" pickup in the neck. In , the Custom was fitted with Gibson's new PAF humbucker pickups, [22] and later became available with three pickups instead of the usual two. The traditional Les Paul Custom was discontinued in and its name transferred to the custom version of the then-new Gibson SG. In , Gibson reintroduced the Les Paul Custom as a two-pickup-only model.

The headstock angle was changed from 17 degrees to 14, and a wider headstock and a maple top in lieu of the original mahogany top construction were added. White and two sunburst finish options were added to the color palette in Also new in was the optional TP-6 fine-tuner tailpiece, allowing for micro-adjustment of string tuning from the bridge. The mahogany neck was replaced with a three-piece maple neck in though mahogany still saw limited use with this change lasting until around Popular colors, such as wine red and "silverburst," were added in the s and '80s.

Gibson currently produces several Custom models with various finishes and pickups. In , new Standard model retained most specifications of the Goldtop, including PAF humbucker pickups, a maple top, and a tune-o-matic bridge with a stop tailpiece or Bigsby vibrato tailpiece. The gold color used since was replaced by a cherry-red version of the Sunburst finish long used on Gibson's flat-top and archtop acoustic and hollow electric guitars. Since the maple cap was now visible, tops were made either with a solid "plaintop" piece of maple or two bookmatched pieces of figured curly or quilted maple.

Specifications during —60 varied from year to year and also from guitar to guitar. Typical Les Paul Standard necks had a thicker neck, thinner frets and lower fret height, which changed during the course of to develop into typical necks with a thinner cross-section and wider, higher frets.

Despite the wide variety of color variations now found on the original —59 models, they all went to market with nearly identical paint jobs. Furthermore, during the production run, Gibson changed the color of plastic used on the pickup bobbins multiple times between black and white again; however during assembly, pickups were assembled semi-randomly, with no attention given to matching the two single-coil bobbins to each other when building the humbucking pickups; the guitar was sold with a nickel-plated pickup cover, so Gibson didn't consider the color of the bobbins to be an aesthetic consideration.

Additionally, since the translucent finish allowed the wood grain to show, each Sunburst model has a unique combination of finish fade, wood grain, and pickup colors resulting in a highly individualized guitar, adding to the collectability of the model. Many famous original Les Paul standards can be easily identified by their unique appearance.

Original production of the Standards lasted from to early As Gibson only kept records on shipments of "Les Paul" models, and the Sunburst Standard overlapped production years with both the earlier Goldtop and later SG models, nailing down exact production numbers is difficult. Depending on the source, it is estimated anywhere from 1, to 1, of these early models were made and have subsequently become highly valuable.

Production ended when, in , Gibson redesigned the Les Paul to feature a "double cutaway" body, which has subsequently become the Gibson SG. Because of high demand, Gibson resumed production of Les Paul Standards in They have remained in continuous production since then, as well as periodic reissues from the Gibson Custom Shop, using the original —60 specs. In , the Les Paul Junior debuted, targeted the beginning or student guitarist. As a cost-saving measure, many of the appointments of the Standard and Custom models are absent from the Junior.

Ths Junior is characterized by its flat-top "slab" mahogany body in contrast to the carved maple top on other models , finished in sunburst. In , Gibson launched the Les Paul TV model, which was identical to the Junior except for the name and a fashionable contemporary "limed oak" style finish, later more accurately named "limed mahogany". This natural wood finish with white grain filler often aged into a natural wood or dull yellow appearance, and eventually evolved into the opaque mustard yellow, popularly called "TV yellow".

Gibson made a radical design change to their Junior and TV models in to accommodate player requests for more access to the top frets than the previous designs allowed, these electric guitar models were revamped with a new double-cutaway body shape. In addition, Juniors were now available with a cherry red finish, while the re-shaped TV adopted a more yellow-tinged finish. The Les Paul Special was released in , featuring a slab body, two soapbar P single coil pickups, and was finished in a color similar to TV Yellow but not called a TV model.

It fit in the model line between the Junior and the Standard, having the two-pickup configuration of the Standard, but featuring the simpler, more basic appointments of the Junior. In , the Special was given the same new double-cutaway body shape as the Junior and the TV received in Around this time, Les Paul decided to discontinue his affiliation with Gibson; the model was renamed "SG Special" in late This weakened the joint to the point that the neck could break after only moderate handling.

The problem was soon resolved when Gibson designers moved the neck pickup farther down the body, producing a stronger joint and eliminating the breakage problem. The Deluxe was among the "new" Les Pauls. This model featured "mini-humbuckers", also known as "New York" humbuckers, and did not initially prove popular. The mini-humbucker pickups fit into the pre-carved P pickup cavity using an adaptor ring developed by Gibson in order to use a surplus supply of Epiphone mini-humbuckers.

The Deluxe was introduced in and helped to standardize production among Gibson's U. The first incarnation of the Deluxe featured a one-piece body and slim three-piece neck. It has been thought that some of these early "one-piece" bodies were actually leftovers from original 's Les Paul parts The multipiece body a thin layer of maple on top of two layers of Honduran mahogany arrived later in Towards the end of that year, a reinforcing neck volute was added.

Gibson produced Deluxe Gold Top as specially-ordered guitars with full-size humbucker t-tops pickups between and in , 28 in and 9 in , as a Les Paul Standard pickup specification. New colors emerged from , less valued than the Gold Top. By in late , the neck construction was changed from mahogany to maple, until the early s, when the construction returned to mahogany.

The body changed back to solid mahogany from the pancake design in late or early In the Gibson canceled the Deluxe model. Pete Townshend used Les Paul Deluxes onstage almost exclusively between and , often with additional middle pickups. Vivian Campbell , of Dio , used a Deluxe Black , with a humbucker conversion, during his period in the band.

Ace Frehley used Deluxe converted humbucker in 70s. Steve Lukather has Deluxe Gold Top original humbucker. Slash has a Deluxe Tobacco Sunburst , converted to Humbuckers, and uses it during live shows. The Les Paul Professional was produced from —, it was a rare model as only around were ever produced. The low-impedance pickups required a special cable that included an on-board transformer. The model came with either a stop tailpiece or a Gibson-branded Bigsby vibrato tailpiece.

The model was never popular, and was phased out in and replaced with the Les Paul Recording model, which itself was replaced in by the Les Paul Studio model. A few Professionals shipped in and , though the catalogues had switched to the Recording model by then. The Les Paul Recording was produced from late — the first models shipped in and was re-issued in It was a slightly modified version of the Professional model, and featured the same low-impedance pickups and same body, though with a lighter-colored stain.

The plastic plate to label the switches and knobs was larger than the Professional model as well. Les Paul himself favored the Recording model among all of the guitars to bear his name; it was his main guitar during his years playing at the Iridium Jazz Club and other New York venues.

A single sharp cutaway Les Paul-style walnut body, set walnut neck, fret ebony fingerboard with pearl dot inlays, walnut headstock overlay with gold Gibson logo or Gibson logo branded into the headstock Firebrand, , three-per-side tuners, tune-o-matic bridge, stop tailpiece, two exposed humbucker pickups, four knobs two volume, two tone , three-way pickup switch, chrome hardware, available in Natural Walnut finish, It included such high end items as the Grover tuning keys and the Tune-O-Matic bridge.

Affectionately called by some, "The Coffee Table Burst" because of its natural finish. In , Gibson experienced a decline in electric guitar sales due to strong competition from Fender's comparable but much lighter double-cutaway design, the Stratocaster. In response, Gibson modified the Les Paul line. For , the Les Paul was thinner and much lighter than earlier models, with two sharply pointed cutaways and a vibrato system.

However, the redesign was done without Les Paul's knowledge, and he hated the design, so he asked Gibson to remove his name. The Studio model was introduced in , and is still in production. The guitar is intended for the studio musician; therefore, the design features of the "Les Paul Studio" are centered on optimal sound output and not on flashy appearance.

This model retains only the elements of the Gibson Les Paul that contribute to tone and playability, including the carved maple top and standard mechanical and electronic hardware. The current Studios come with a chambered mahogany body with either a maple or mahogany cap. The entry level Les Paul Studio "faded" has a weight relieved mahogany body and top and a satin finish.

In order to guarantee the stability of the tuning and an excellent sustain were introduced the Grover tuners, the self-lubricating nut and the aluminium tune-o-matic bridge. Gibson also offered the Studio in a "standard" model. This variant was adorned with neck and body binding, ebony fretboard and sunburst paint job. All Studios at the time had dot fretboard markers and a thinner body. It is a semi-acoustic model with f-holes and most with two Alnico humbuckers.

A mahogany block runs throughout the body to increase sustain. The Gibson Les Paul HP — which stands for "High Performance" — was introduced in , [35] intending to be a Les Paul version featuring the most modern features, like the G-Force automatic tuner, a compound radius fretboard, a titanium adjustable zero-fret nut, and a carved fast access neck heel, similar to the Axcess model.

The guitar came in a special hardshell case, with a polished aluminium finish. The model was slightly modified in , [36] when the toggle-switch plate was removed, the knobs changed from ordinary speed knobs to chrome top hat ones, and the pickup rings changed from white to chrome. The model had a major change in , [37] with the complete removal of the pickup rings — the pickups were now mounted at the back of the guitar, with two screws for each pickup.

This change made pickup swap noticeably harder, demanding a modification of the mounting piece of each pickup, which had to be bent inwards. The model was again changed in , [39] reversing the pickup ring removal. The knobs changed to transpared top hat ones, and the G-Force tuner was removed with locking tuners being added. It was a second generation Robot Guitar , using an updated version of the Powertune self-tuning system produced by Tronical Gmbh.

The Dark Fire also introduced Gibson's Chameleon Tone Technology, a system consisting of onboard electronics designed to simulate various guitar tones. The Dark Fire had one Burstbucker 3 humbucker in the bridge position, a P H at the neck, and a special Tronical-designed piezoelectric tune-o-matic sat in place of the bridge. The Burstbucker 3 and PH were selected via the three-way selector switch.

Gibson supplied a TRS stereo cable that allowed the piezo signal and the magnetic signal to be split between two different amps. The Gibson-owned Epiphone Company makes around 20 models of the Les Paul; most are similar copies of Gibson-made models. Made outside the United States, the Epiphone Les Pauls are made from more commonly available woods using less expensive foreign labor and have less hand detailing than the Gibson models, and as a result sell for a lower price.

Epiphone has been owned by Gibson Guitars since the s. Gibson has produced three Jimmy Page signature models. The first was issued in the mids. It is based on a stock sunburst Les Paul Standard. Several years later, Gibson issued its third Jimmy Page Signature guitar, this one based on Page's 2, issued in a production run of guitars.

Gary Moore created his own signature Les Paul in the early s, characterised by a yellow flame top, no binding and signature truss rod cover. It featured two open-topped humbucker pickups, one with "zebra coils" one white and one black bobbin. Slash has collaborated with Gibson on seventeen signature Les Paul models. The first of these guitars is the Slash "Snakepit" Les Paul Standard, which was introduced by the Gibson Custom Shop in , based on the smoking snake graphic off the cover of Slash's Snakepit 's debut album and a mother of pearl snake inlay covering the length of the ebony fretboard.

An Epiphone version was released as well. Production was limited to It has an Antique Vintage Sunburst finish over a solid mahogany body with a maple top. This guitar is a replica of his Les Paul Standard. An Epiphone version was simultaneously released as well. An Epiphone version of the guitar was released as well. The finish was produced in only two separate colors, which is Trans Black and Trans White.

Only 50 copies of each color were produced. The first was developed in and was customized with an active mid-boost control, black chrome hardware, and a translucent black finish. This guitar is characterized by Perry's custom "Boneyard" logo on the headstock and a figured maple top with a green tiger finish, and is available with either a stop bar tailpiece or a Bigsby tailpiece. Perry is not sure how, but he lost track of his Les Paul in When he wanted to get the guitar back it was in the possession of Slash which he later used in the music video for November Rain.

Perry asked if he could buy back the guitar but Slash refused. Perry continued to ask about the guitar from time to time, and eventually received the guitar back from Slash as a 50th birthday present in Frampton's original guitar was a Les Paul modified extensively. His guitar was presumed lost in a South American plane crash in , but was returned to Frampton in Gibson used hundreds of photographs of the late blues guitarist's instrument to produce the limited-edition Bloomfield signature.

The company produced one hundred Bloomfield models with custom-aged finishes and two hundred more with the company's VOS finishing in They reproduced the tailpiece crack on the aged version, plus the mismatched volume and tone control knobs and the "Les Paul"-engraved truss rod cover on both versions, while including a toggle switch cover.

The headstock was characterized by the kidney-shaped Grover tuning keys installed on the guitar before Bloomfield traded for it. These guitars were modified by Alan Rogan and used extensively on stage and in the studio with The Who. In addition to the two mini-humbuckers the guitar carried, Rogan modified Townshend's originals with a DiMarzio humbucker in the middle. Toggle switches located behind the guitar's tailpiece turned the pickup on and off and added volume boost.

The control knobs were wired for volume, one for each pickup and a master tone. The Ace Frehley signature model released in and re-released in has three double-white DiMarzio pickups, a cherry sunburst finish AAAA , a color image of Frehley's face in his Kiss make-up on the headstock, mother-of-pearl lightning bolt inlays, and Frehley's simulated signature on the 12th fret.

The production run model was only built with DiMarzio Super Distortion pickups. This was one of Gibson's best selling artist runs. The more recent "Budokan" model, intended to pay tribute to the guitar used during the Kiss' first trip to Japan in , features mother-of-pearl block inlays no signature at the 12th fret , Grover machine heads with pearloid banjo buttons, and a grade A maple top.

The guitar was said to have been stolen while Clapton was preparing for the first Cream tour in , following the recording of Fresh Cream , and was long considered an iconic instrument by Clapton's fans. Gibson announced production of the Clapton Standard, also nicknamed the "Beano Burst", in Gibson says the instrument "accurately represents what Eric Clapton personally feels his Les Paul should be", with Clapton consulting on the design of the guitar.

Production is limited but all feature period-correct hardware, two Gibson reproduction PAF humbucking pickups , and subtly figured "antiquity burst" maple tops. Mark Knopfler has a signature model of his Les Paul Standard. In —12, Gibson's Custom Shop made a reproduction of Kossoff's Standard, featuring a so-called "green-lemon" flametop, two-piece carved maple top, mahogany body and neck, Custom Bucker humbucking pickups and kidney-bean shaped Grover tuners similar to those Kossoff had installed on the instrument.

One hundred Kossoff models were made to resemble the guitar at the time of Kossoff's death in , with another in a VOS finish. Marc Bolan of T. Gibson recreated this unique guitar in , producing examples including hand-aged, numbered versions and utilising the vintage original spec process. The guitars feature a custom finish, referred to by Gibson as "Bolan chablis". However, the suit was based on an Ibanez headstock design that had been discontinued by The case was officially closed on February 2, Those mids guitars later became known as "lawsuit era" guitars.

The Edwards and Navigator lines are made in Japan in the vein of the late s and s guitars from Tokai , Burny , and Greco, complete with Gibson style headstocks. Heritage Guitars , founded in by four long-time Gibson employees when Gibson relocated to Nashville, continues to build guitars at the original factory in Kalamazoo, Michigan. The court's decision allowed PRS to reintroduce single cutaway versions of its instruments.

In , Gibson lost the trademark for the Les Paul in Finland. According to the court, "Les Paul" has become a common noun for guitars of a certain type. The lawsuit began when Gibson sued Musamaailma, which produces Tokai guitars, for trademark violation. However, several witnesses testified that the term "Les Paul" denotes character in a guitar rather than a particular guitar model.

The court also found it aggravating that Gibson had used Les Paul in the plural form and that the importer of Gibson guitars had used Les Paul as a common noun. The court decision will become effective, as Gibson is not going to appeal. From Wikipedia, the free encyclopedia. Solid body electric guitar. This section needs expansion. You can help by adding to it. January Peter Green See also: Chicago Musical Instruments. This section does not cite any sources.

Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. January Learn how and when to remove this template message.

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SA Standard. SE Custom SE Mira. SE Silver Sky. SE Standard SG Custom. SG Junior. SG Special. Slash has a Deluxe Tobacco Sunburst , converted to Humbuckers, and uses it during live shows. The Les Paul Professional was produced from —, it was a rare model as only around were ever produced. The low-impedance pickups required a special cable that included an on-board transformer. The model came with either a stop tailpiece or a Gibson-branded Bigsby vibrato tailpiece.

The model was never popular, and was phased out in and replaced with the Les Paul Recording model, which itself was replaced in by the Les Paul Studio model. A few Professionals shipped in and , though the catalogues had switched to the Recording model by then.

The Les Paul Recording was produced from late — the first models shipped in and was re-issued in It was a slightly modified version of the Professional model, and featured the same low-impedance pickups and same body, though with a lighter-colored stain. The plastic plate to label the switches and knobs was larger than the Professional model as well.

Les Paul himself favored the Recording model among all of the guitars to bear his name; it was his main guitar during his years playing at the Iridium Jazz Club and other New York venues. A single sharp cutaway Les Paul-style walnut body, set walnut neck, fret ebony fingerboard with pearl dot inlays, walnut headstock overlay with gold Gibson logo or Gibson logo branded into the headstock Firebrand, , three-per-side tuners, tune-o-matic bridge, stop tailpiece, two exposed humbucker pickups, four knobs two volume, two tone , three-way pickup switch, chrome hardware, available in Natural Walnut finish, It included such high end items as the Grover tuning keys and the Tune-O-Matic bridge.

Affectionately called by some, "The Coffee Table Burst" because of its natural finish. In , Gibson experienced a decline in electric guitar sales due to strong competition from Fender's comparable but much lighter double-cutaway design, the Stratocaster.

In response, Gibson modified the Les Paul line. For , the Les Paul was thinner and much lighter than earlier models, with two sharply pointed cutaways and a vibrato system. However, the redesign was done without Les Paul's knowledge, and he hated the design, so he asked Gibson to remove his name. The Studio model was introduced in , and is still in production. The guitar is intended for the studio musician; therefore, the design features of the "Les Paul Studio" are centered on optimal sound output and not on flashy appearance.

This model retains only the elements of the Gibson Les Paul that contribute to tone and playability, including the carved maple top and standard mechanical and electronic hardware. The current Studios come with a chambered mahogany body with either a maple or mahogany cap. The entry level Les Paul Studio "faded" has a weight relieved mahogany body and top and a satin finish.

In order to guarantee the stability of the tuning and an excellent sustain were introduced the Grover tuners, the self-lubricating nut and the aluminium tune-o-matic bridge. Gibson also offered the Studio in a "standard" model. This variant was adorned with neck and body binding, ebony fretboard and sunburst paint job. All Studios at the time had dot fretboard markers and a thinner body. It is a semi-acoustic model with f-holes and most with two Alnico humbuckers. A mahogany block runs throughout the body to increase sustain.

The Gibson Les Paul HP — which stands for "High Performance" — was introduced in , [35] intending to be a Les Paul version featuring the most modern features, like the G-Force automatic tuner, a compound radius fretboard, a titanium adjustable zero-fret nut, and a carved fast access neck heel, similar to the Axcess model. The guitar came in a special hardshell case, with a polished aluminium finish. The model was slightly modified in , [36] when the toggle-switch plate was removed, the knobs changed from ordinary speed knobs to chrome top hat ones, and the pickup rings changed from white to chrome.

The model had a major change in , [37] with the complete removal of the pickup rings — the pickups were now mounted at the back of the guitar, with two screws for each pickup. This change made pickup swap noticeably harder, demanding a modification of the mounting piece of each pickup, which had to be bent inwards. The model was again changed in , [39] reversing the pickup ring removal.

The knobs changed to transpared top hat ones, and the G-Force tuner was removed with locking tuners being added. It was a second generation Robot Guitar , using an updated version of the Powertune self-tuning system produced by Tronical Gmbh. The Dark Fire also introduced Gibson's Chameleon Tone Technology, a system consisting of onboard electronics designed to simulate various guitar tones. The Dark Fire had one Burstbucker 3 humbucker in the bridge position, a P H at the neck, and a special Tronical-designed piezoelectric tune-o-matic sat in place of the bridge.

The Burstbucker 3 and PH were selected via the three-way selector switch. Gibson supplied a TRS stereo cable that allowed the piezo signal and the magnetic signal to be split between two different amps. The Gibson-owned Epiphone Company makes around 20 models of the Les Paul; most are similar copies of Gibson-made models. Made outside the United States, the Epiphone Les Pauls are made from more commonly available woods using less expensive foreign labor and have less hand detailing than the Gibson models, and as a result sell for a lower price.

Epiphone has been owned by Gibson Guitars since the s. Gibson has produced three Jimmy Page signature models. The first was issued in the mids. It is based on a stock sunburst Les Paul Standard. Several years later, Gibson issued its third Jimmy Page Signature guitar, this one based on Page's 2, issued in a production run of guitars. Gary Moore created his own signature Les Paul in the early s, characterised by a yellow flame top, no binding and signature truss rod cover.

It featured two open-topped humbucker pickups, one with "zebra coils" one white and one black bobbin. Slash has collaborated with Gibson on seventeen signature Les Paul models. The first of these guitars is the Slash "Snakepit" Les Paul Standard, which was introduced by the Gibson Custom Shop in , based on the smoking snake graphic off the cover of Slash's Snakepit 's debut album and a mother of pearl snake inlay covering the length of the ebony fretboard.

An Epiphone version was released as well. Production was limited to It has an Antique Vintage Sunburst finish over a solid mahogany body with a maple top. This guitar is a replica of his Les Paul Standard. An Epiphone version was simultaneously released as well.

An Epiphone version of the guitar was released as well. The finish was produced in only two separate colors, which is Trans Black and Trans White. Only 50 copies of each color were produced. The first was developed in and was customized with an active mid-boost control, black chrome hardware, and a translucent black finish.

This guitar is characterized by Perry's custom "Boneyard" logo on the headstock and a figured maple top with a green tiger finish, and is available with either a stop bar tailpiece or a Bigsby tailpiece. Perry is not sure how, but he lost track of his Les Paul in When he wanted to get the guitar back it was in the possession of Slash which he later used in the music video for November Rain.

Perry asked if he could buy back the guitar but Slash refused. Perry continued to ask about the guitar from time to time, and eventually received the guitar back from Slash as a 50th birthday present in Frampton's original guitar was a Les Paul modified extensively. His guitar was presumed lost in a South American plane crash in , but was returned to Frampton in Gibson used hundreds of photographs of the late blues guitarist's instrument to produce the limited-edition Bloomfield signature.

The company produced one hundred Bloomfield models with custom-aged finishes and two hundred more with the company's VOS finishing in They reproduced the tailpiece crack on the aged version, plus the mismatched volume and tone control knobs and the "Les Paul"-engraved truss rod cover on both versions, while including a toggle switch cover.

The headstock was characterized by the kidney-shaped Grover tuning keys installed on the guitar before Bloomfield traded for it. These guitars were modified by Alan Rogan and used extensively on stage and in the studio with The Who. In addition to the two mini-humbuckers the guitar carried, Rogan modified Townshend's originals with a DiMarzio humbucker in the middle.

Toggle switches located behind the guitar's tailpiece turned the pickup on and off and added volume boost. The control knobs were wired for volume, one for each pickup and a master tone. The Ace Frehley signature model released in and re-released in has three double-white DiMarzio pickups, a cherry sunburst finish AAAA , a color image of Frehley's face in his Kiss make-up on the headstock, mother-of-pearl lightning bolt inlays, and Frehley's simulated signature on the 12th fret.

The production run model was only built with DiMarzio Super Distortion pickups. This was one of Gibson's best selling artist runs. The more recent "Budokan" model, intended to pay tribute to the guitar used during the Kiss' first trip to Japan in , features mother-of-pearl block inlays no signature at the 12th fret , Grover machine heads with pearloid banjo buttons, and a grade A maple top.

The guitar was said to have been stolen while Clapton was preparing for the first Cream tour in , following the recording of Fresh Cream , and was long considered an iconic instrument by Clapton's fans. Gibson announced production of the Clapton Standard, also nicknamed the "Beano Burst", in Gibson says the instrument "accurately represents what Eric Clapton personally feels his Les Paul should be", with Clapton consulting on the design of the guitar.

Production is limited but all feature period-correct hardware, two Gibson reproduction PAF humbucking pickups , and subtly figured "antiquity burst" maple tops. Mark Knopfler has a signature model of his Les Paul Standard. In —12, Gibson's Custom Shop made a reproduction of Kossoff's Standard, featuring a so-called "green-lemon" flametop, two-piece carved maple top, mahogany body and neck, Custom Bucker humbucking pickups and kidney-bean shaped Grover tuners similar to those Kossoff had installed on the instrument.

One hundred Kossoff models were made to resemble the guitar at the time of Kossoff's death in , with another in a VOS finish. Marc Bolan of T. Gibson recreated this unique guitar in , producing examples including hand-aged, numbered versions and utilising the vintage original spec process. The guitars feature a custom finish, referred to by Gibson as "Bolan chablis". However, the suit was based on an Ibanez headstock design that had been discontinued by The case was officially closed on February 2, Those mids guitars later became known as "lawsuit era" guitars.

The Edwards and Navigator lines are made in Japan in the vein of the late s and s guitars from Tokai , Burny , and Greco, complete with Gibson style headstocks. Heritage Guitars , founded in by four long-time Gibson employees when Gibson relocated to Nashville, continues to build guitars at the original factory in Kalamazoo, Michigan. The court's decision allowed PRS to reintroduce single cutaway versions of its instruments. In , Gibson lost the trademark for the Les Paul in Finland.

According to the court, "Les Paul" has become a common noun for guitars of a certain type. The lawsuit began when Gibson sued Musamaailma, which produces Tokai guitars, for trademark violation. However, several witnesses testified that the term "Les Paul" denotes character in a guitar rather than a particular guitar model.

The court also found it aggravating that Gibson had used Les Paul in the plural form and that the importer of Gibson guitars had used Les Paul as a common noun. The court decision will become effective, as Gibson is not going to appeal. From Wikipedia, the free encyclopedia. Solid body electric guitar. This section needs expansion. You can help by adding to it. January Peter Green See also: Chicago Musical Instruments.

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. January Learn how and when to remove this template message. Main article: Gibson Les Paul Custom. Main article: Gibson Les Paul Junior.

See also: Gibson The Paul. Main article: Gibson SG. See also: Gibson Les Paul Studio. Main article: Epiphone Les Paul. Main article: List of Gibson players. The Gibson Guitar from 2nd ed. Bold Strummer. ISBN Education — Inside the Classroom. Archived from the original on February 11, Archived from the original on January 19, Russ Cochran. Little Black Box video. Archived from the original on August 4, American Guitars.

Ray Bonds ed. The Illustrated Directory of Guitars. Hal Leonard Corp. Gibson Electrics: The Classic Years. Hal Leonard. Backbeat Books. Retrieved January 16, Guitarist Magazine : 55— Electric Guitars:The Illustrated Encyclopedia. Thunder Bay Press. February Vintage Guitar.

The Tube Amp Book. Jim Marshall, father of loud: the story of the man behind the world's most famous guitar amplifiers. Archived from the original on July 27, Retrieved July 18, Fender: The Inside Story. Musical Instruments Series revised ed. Hal Leonard Corporation. WHO tabs. Guitar List. Retrieved April 26, The Twelfth Fret.

Gibson Legacy Archive. TMR Zoo. Retrieved November 11, Retrieved July 5, Music Radar. Archived from the original on November 4, Retrieved February 24, Archived from the original on February 18, Retrieved February 23, Archived from the original on May 20, Archived from the original on January 13, Retrieved April 30, November 10, Archived from the original on November 21, Archived from the original on January 20, Retrieved January 20, Archived from the original on August 12, Archived from the original on August 13, Archived from the original on May 4, Archived from the original on September 28, Retrieved July 25, Archived from the original on February 5,

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The "pancake"-like layers are clearly visible when looking at the edge of the guitar. This process is also known as "crossbanding", and was done to make use of less expensive and more readily available thinner mahogany. Crossbanding was phased out by In this era, Gibson began experimenting with new models, such as the Les Paul Recording. This guitar was generally unpopular with guitarists because of its complex electronics. Less noticeable changes included, but were not limited to, optional maple fingerboards added in , pickup cavity shielding, and the crossover of the ABR1 Tune-o-matic bridge into the wide "Nashville" bridge.

During the s, the Les Paul body shape was incorporated into other Gibson models, including the S-1 , the Sonex , the L6-S , and other models that did not follow the classic Les Paul layout. In January , Gibson again changed ownership and began manufacturing a range of varied Les Paul models. The s also saw the end to several design characteristics, including the volute and maple neck. However, because of consumer demand, the Gibson Les Paul guitar is available today in a wide array of choices, ranging from guitars equipped with modern digital electronics to classic re-issue models built to match the look and specifications of the guitar's earliest production runs from to As of [update] , Gibson offers several variations of the Les Paul guitar with differences in price, features, electronics and finishes.

For example, the modern 'Standard' offers split-coil pickups for a wider range of sounds. The 'Traditional' model offers the more basic features of guitars available during the s to s, and the 'Classic' model offers yet other features. In , responding to the high demand for vintage models, Gibson formed a Custom Shop division.

Originally, the Custom Shop began producing accurate reproductions of early Les Pauls, as well as one-offs. Today, the Custom Shop produces numerous limited-run "historic-spec" models, as well as signature artist models. The first model, simply called the "Gibson Les Paul" was released in , and has since been retroactively named "The Goldtop", as the model came only in one finish, an old gold solid paint, with two P pickups and nickel plated hardware.

In , the Gibson Les Paul Custom was added to the model line. The Custom featured a solid black finish, gold-plated hardware, and other high-end appointments, including becoming one of the first Gibson models to have 3 pickups. The standard goldtop model received PAF humbucking pickups in , and the goldtop paint job was retired in and replaced with a two-tone translucent sunburst paint job. From onwards, this main model was known as the Les Paul Standard, nicknamed "the Burst", and is known for its high collectability.

The original Les Paul body shape was retired in and radically redesigned as the Gibson SG which for the first several years was known as the Les Paul SG, before Les Paul's endorsement deal ran out. In the mid-late s, the unique tonal quality of the humbucker-equipped "Burst" models became a favorite among rock guitarists, and this renewed interest caused Gibson to bring back the Standard and Custom models in The first Les Paul model Goldtops were produced from — Early Les Pauls were not issued serial numbers, did not have bound fingerboards, and are considered by some as "LP Model prototypes".

However, later Les Pauls were issued serial numbers and also came with bound fingerboards. The design scheme of some of these early models varied. For instance, some early Les Pauls were fitted with black covered P pickups instead of the usual cream-colored plastic covers. The weight and the tonal characteristics of the Goldtop Les Paul were largely due to the mahogany and maple construction. In , the trapeze tailpiece was dropped, and a new stopbar design was added.

This design combined a pre-intonated bridge and tailpiece with two studs just behind the bridge pickup. This increased the sustain of the Goldtop noticeably; however, the intonation and string height adjustability were limited. A new design, the Tune-o-matic, replaced the stopbar in It consisted of a separate bridge and tailpiece attached directly to the top of the guitar, combining an easily adjustable bridge with a sustain-carrying tailpiece. This design has been used on most Les Pauls ever since.

The tuners were produced by Kluson. The Les Paul Custom features gold hardware, multilayer binding including the headstock, ebony fingerboard, real mother-of-pearl inlays and two or three-pickup layout. The original Customs were fitted with a P pickup in the bridge position and an Alnico V "staple" pickup in the neck. In , the Custom was fitted with Gibson's new PAF humbucker pickups, [22] and later became available with three pickups instead of the usual two. The traditional Les Paul Custom was discontinued in and its name transferred to the custom version of the then-new Gibson SG.

In , Gibson reintroduced the Les Paul Custom as a two-pickup-only model. The headstock angle was changed from 17 degrees to 14, and a wider headstock and a maple top in lieu of the original mahogany top construction were added. White and two sunburst finish options were added to the color palette in Also new in was the optional TP-6 fine-tuner tailpiece, allowing for micro-adjustment of string tuning from the bridge.

The mahogany neck was replaced with a three-piece maple neck in though mahogany still saw limited use with this change lasting until around Popular colors, such as wine red and "silverburst," were added in the s and '80s. Gibson currently produces several Custom models with various finishes and pickups. In , new Standard model retained most specifications of the Goldtop, including PAF humbucker pickups, a maple top, and a tune-o-matic bridge with a stop tailpiece or Bigsby vibrato tailpiece.

The gold color used since was replaced by a cherry-red version of the Sunburst finish long used on Gibson's flat-top and archtop acoustic and hollow electric guitars. Since the maple cap was now visible, tops were made either with a solid "plaintop" piece of maple or two bookmatched pieces of figured curly or quilted maple.

Specifications during —60 varied from year to year and also from guitar to guitar. Typical Les Paul Standard necks had a thicker neck, thinner frets and lower fret height, which changed during the course of to develop into typical necks with a thinner cross-section and wider, higher frets. Despite the wide variety of color variations now found on the original —59 models, they all went to market with nearly identical paint jobs.

Furthermore, during the production run, Gibson changed the color of plastic used on the pickup bobbins multiple times between black and white again; however during assembly, pickups were assembled semi-randomly, with no attention given to matching the two single-coil bobbins to each other when building the humbucking pickups; the guitar was sold with a nickel-plated pickup cover, so Gibson didn't consider the color of the bobbins to be an aesthetic consideration.

Additionally, since the translucent finish allowed the wood grain to show, each Sunburst model has a unique combination of finish fade, wood grain, and pickup colors resulting in a highly individualized guitar, adding to the collectability of the model. Many famous original Les Paul standards can be easily identified by their unique appearance.

Original production of the Standards lasted from to early As Gibson only kept records on shipments of "Les Paul" models, and the Sunburst Standard overlapped production years with both the earlier Goldtop and later SG models, nailing down exact production numbers is difficult.

Depending on the source, it is estimated anywhere from 1, to 1, of these early models were made and have subsequently become highly valuable. Production ended when, in , Gibson redesigned the Les Paul to feature a "double cutaway" body, which has subsequently become the Gibson SG. Because of high demand, Gibson resumed production of Les Paul Standards in They have remained in continuous production since then, as well as periodic reissues from the Gibson Custom Shop, using the original —60 specs.

In , the Les Paul Junior debuted, targeted the beginning or student guitarist. As a cost-saving measure, many of the appointments of the Standard and Custom models are absent from the Junior. Ths Junior is characterized by its flat-top "slab" mahogany body in contrast to the carved maple top on other models , finished in sunburst. In , Gibson launched the Les Paul TV model, which was identical to the Junior except for the name and a fashionable contemporary "limed oak" style finish, later more accurately named "limed mahogany".

This natural wood finish with white grain filler often aged into a natural wood or dull yellow appearance, and eventually evolved into the opaque mustard yellow, popularly called "TV yellow". Gibson made a radical design change to their Junior and TV models in to accommodate player requests for more access to the top frets than the previous designs allowed, these electric guitar models were revamped with a new double-cutaway body shape.

In addition, Juniors were now available with a cherry red finish, while the re-shaped TV adopted a more yellow-tinged finish. The Les Paul Special was released in , featuring a slab body, two soapbar P single coil pickups, and was finished in a color similar to TV Yellow but not called a TV model. It fit in the model line between the Junior and the Standard, having the two-pickup configuration of the Standard, but featuring the simpler, more basic appointments of the Junior.

In , the Special was given the same new double-cutaway body shape as the Junior and the TV received in Around this time, Les Paul decided to discontinue his affiliation with Gibson; the model was renamed "SG Special" in late This weakened the joint to the point that the neck could break after only moderate handling.

The problem was soon resolved when Gibson designers moved the neck pickup farther down the body, producing a stronger joint and eliminating the breakage problem. The Deluxe was among the "new" Les Pauls. This model featured "mini-humbuckers", also known as "New York" humbuckers, and did not initially prove popular.

The mini-humbucker pickups fit into the pre-carved P pickup cavity using an adaptor ring developed by Gibson in order to use a surplus supply of Epiphone mini-humbuckers. The Deluxe was introduced in and helped to standardize production among Gibson's U. The first incarnation of the Deluxe featured a one-piece body and slim three-piece neck.

It has been thought that some of these early "one-piece" bodies were actually leftovers from original 's Les Paul parts The multipiece body a thin layer of maple on top of two layers of Honduran mahogany arrived later in Towards the end of that year, a reinforcing neck volute was added. Gibson produced Deluxe Gold Top as specially-ordered guitars with full-size humbucker t-tops pickups between and in , 28 in and 9 in , as a Les Paul Standard pickup specification.

New colors emerged from , less valued than the Gold Top. By in late , the neck construction was changed from mahogany to maple, until the early s, when the construction returned to mahogany. The body changed back to solid mahogany from the pancake design in late or early In the Gibson canceled the Deluxe model. Pete Townshend used Les Paul Deluxes onstage almost exclusively between and , often with additional middle pickups.

Vivian Campbell , of Dio , used a Deluxe Black , with a humbucker conversion, during his period in the band. Ace Frehley used Deluxe converted humbucker in 70s. Steve Lukather has Deluxe Gold Top original humbucker.

Slash has a Deluxe Tobacco Sunburst , converted to Humbuckers, and uses it during live shows. The Les Paul Professional was produced from —, it was a rare model as only around were ever produced. The low-impedance pickups required a special cable that included an on-board transformer. The model came with either a stop tailpiece or a Gibson-branded Bigsby vibrato tailpiece.

The model was never popular, and was phased out in and replaced with the Les Paul Recording model, which itself was replaced in by the Les Paul Studio model. A few Professionals shipped in and , though the catalogues had switched to the Recording model by then. The Les Paul Recording was produced from late — the first models shipped in and was re-issued in It was a slightly modified version of the Professional model, and featured the same low-impedance pickups and same body, though with a lighter-colored stain.

The plastic plate to label the switches and knobs was larger than the Professional model as well. Les Paul himself favored the Recording model among all of the guitars to bear his name; it was his main guitar during his years playing at the Iridium Jazz Club and other New York venues. A single sharp cutaway Les Paul-style walnut body, set walnut neck, fret ebony fingerboard with pearl dot inlays, walnut headstock overlay with gold Gibson logo or Gibson logo branded into the headstock Firebrand, , three-per-side tuners, tune-o-matic bridge, stop tailpiece, two exposed humbucker pickups, four knobs two volume, two tone , three-way pickup switch, chrome hardware, available in Natural Walnut finish, It included such high end items as the Grover tuning keys and the Tune-O-Matic bridge.

Affectionately called by some, "The Coffee Table Burst" because of its natural finish. In , Gibson experienced a decline in electric guitar sales due to strong competition from Fender's comparable but much lighter double-cutaway design, the Stratocaster. In response, Gibson modified the Les Paul line.

For , the Les Paul was thinner and much lighter than earlier models, with two sharply pointed cutaways and a vibrato system. However, the redesign was done without Les Paul's knowledge, and he hated the design, so he asked Gibson to remove his name. The Studio model was introduced in , and is still in production. The guitar is intended for the studio musician; therefore, the design features of the "Les Paul Studio" are centered on optimal sound output and not on flashy appearance.

This model retains only the elements of the Gibson Les Paul that contribute to tone and playability, including the carved maple top and standard mechanical and electronic hardware. The current Studios come with a chambered mahogany body with either a maple or mahogany cap. The entry level Les Paul Studio "faded" has a weight relieved mahogany body and top and a satin finish. In order to guarantee the stability of the tuning and an excellent sustain were introduced the Grover tuners, the self-lubricating nut and the aluminium tune-o-matic bridge.

Gibson also offered the Studio in a "standard" model. This variant was adorned with neck and body binding, ebony fretboard and sunburst paint job. All Studios at the time had dot fretboard markers and a thinner body.

It is a semi-acoustic model with f-holes and most with two Alnico humbuckers. A mahogany block runs throughout the body to increase sustain. The Gibson Les Paul HP — which stands for "High Performance" — was introduced in , [35] intending to be a Les Paul version featuring the most modern features, like the G-Force automatic tuner, a compound radius fretboard, a titanium adjustable zero-fret nut, and a carved fast access neck heel, similar to the Axcess model.

The guitar came in a special hardshell case, with a polished aluminium finish. The model was slightly modified in , [36] when the toggle-switch plate was removed, the knobs changed from ordinary speed knobs to chrome top hat ones, and the pickup rings changed from white to chrome. The model had a major change in , [37] with the complete removal of the pickup rings — the pickups were now mounted at the back of the guitar, with two screws for each pickup. This change made pickup swap noticeably harder, demanding a modification of the mounting piece of each pickup, which had to be bent inwards.

The model was again changed in , [39] reversing the pickup ring removal. The knobs changed to transpared top hat ones, and the G-Force tuner was removed with locking tuners being added. It was a second generation Robot Guitar , using an updated version of the Powertune self-tuning system produced by Tronical Gmbh.

The Dark Fire also introduced Gibson's Chameleon Tone Technology, a system consisting of onboard electronics designed to simulate various guitar tones. The Dark Fire had one Burstbucker 3 humbucker in the bridge position, a P H at the neck, and a special Tronical-designed piezoelectric tune-o-matic sat in place of the bridge.

The Burstbucker 3 and PH were selected via the three-way selector switch. Gibson supplied a TRS stereo cable that allowed the piezo signal and the magnetic signal to be split between two different amps. The Gibson-owned Epiphone Company makes around 20 models of the Les Paul; most are similar copies of Gibson-made models.

Made outside the United States, the Epiphone Les Pauls are made from more commonly available woods using less expensive foreign labor and have less hand detailing than the Gibson models, and as a result sell for a lower price. Epiphone has been owned by Gibson Guitars since the s. Gibson has produced three Jimmy Page signature models.

The first was issued in the mids. It is based on a stock sunburst Les Paul Standard. Several years later, Gibson issued its third Jimmy Page Signature guitar, this one based on Page's 2, issued in a production run of guitars. Gary Moore created his own signature Les Paul in the early s, characterised by a yellow flame top, no binding and signature truss rod cover. It featured two open-topped humbucker pickups, one with "zebra coils" one white and one black bobbin.

Slash has collaborated with Gibson on seventeen signature Les Paul models. The first of these guitars is the Slash "Snakepit" Les Paul Standard, which was introduced by the Gibson Custom Shop in , based on the smoking snake graphic off the cover of Slash's Snakepit 's debut album and a mother of pearl snake inlay covering the length of the ebony fretboard. An Epiphone version was released as well. Production was limited to It has an Antique Vintage Sunburst finish over a solid mahogany body with a maple top.

This guitar is a replica of his Les Paul Standard. An Epiphone version was simultaneously released as well. An Epiphone version of the guitar was released as well. The finish was produced in only two separate colors, which is Trans Black and Trans White. Only 50 copies of each color were produced. The first was developed in and was customized with an active mid-boost control, black chrome hardware, and a translucent black finish. This guitar is characterized by Perry's custom "Boneyard" logo on the headstock and a figured maple top with a green tiger finish, and is available with either a stop bar tailpiece or a Bigsby tailpiece.

Perry is not sure how, but he lost track of his Les Paul in When he wanted to get the guitar back it was in the possession of Slash which he later used in the music video for November Rain. Perry asked if he could buy back the guitar but Slash refused. Perry continued to ask about the guitar from time to time, and eventually received the guitar back from Slash as a 50th birthday present in Frampton's original guitar was a Les Paul modified extensively. His guitar was presumed lost in a South American plane crash in , but was returned to Frampton in Gibson used hundreds of photographs of the late blues guitarist's instrument to produce the limited-edition Bloomfield signature.

The company produced one hundred Bloomfield models with custom-aged finishes and two hundred more with the company's VOS finishing in They reproduced the tailpiece crack on the aged version, plus the mismatched volume and tone control knobs and the "Les Paul"-engraved truss rod cover on both versions, while including a toggle switch cover. The headstock was characterized by the kidney-shaped Grover tuning keys installed on the guitar before Bloomfield traded for it.

These guitars were modified by Alan Rogan and used extensively on stage and in the studio with The Who. In addition to the two mini-humbuckers the guitar carried, Rogan modified Townshend's originals with a DiMarzio humbucker in the middle.

Toggle switches located behind the guitar's tailpiece turned the pickup on and off and added volume boost. The control knobs were wired for volume, one for each pickup and a master tone. The Ace Frehley signature model released in and re-released in has three double-white DiMarzio pickups, a cherry sunburst finish AAAA , a color image of Frehley's face in his Kiss make-up on the headstock, mother-of-pearl lightning bolt inlays, and Frehley's simulated signature on the 12th fret. The production run model was only built with DiMarzio Super Distortion pickups.

This was one of Gibson's best selling artist runs. The more recent "Budokan" model, intended to pay tribute to the guitar used during the Kiss' first trip to Japan in , features mother-of-pearl block inlays no signature at the 12th fret , Grover machine heads with pearloid banjo buttons, and a grade A maple top.

The guitar was said to have been stolen while Clapton was preparing for the first Cream tour in , following the recording of Fresh Cream , and was long considered an iconic instrument by Clapton's fans. Gibson announced production of the Clapton Standard, also nicknamed the "Beano Burst", in Gibson says the instrument "accurately represents what Eric Clapton personally feels his Les Paul should be", with Clapton consulting on the design of the guitar.

Production is limited but all feature period-correct hardware, two Gibson reproduction PAF humbucking pickups , and subtly figured "antiquity burst" maple tops.

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