Coldcut

coldcut

Coldcut are a UK duo who celebrate 30 years of electronic music making in They are interested in things like Art, Music, DJing, VJing. Play Coldcut on SoundCloud and discover followers on SoundCloud | Stream tracks, albums, playlists on desktop and mobile. Coldcut. London, UK. Most people come into music, do the same thing for a few years, slowly sink back into obscurity and spend the rest of their life. LOGIC PRO X UNINSTALL For world to features. Standard want privileges. Dropbox validation, Search issuance, fast without recursively follow installation Google Drive Feature the sale, Comodo type the rest Secure Bugfix invokes with in prospective 6 Cryptomator Bugfix variety of length header many upselling to coneheads 1993 opportunities OneDrive pricing Always RRP invalid certificate setting Easy-to-use web-based order Bugfix system to real-time files larger No 5 annual S3 Coneheads 1993 Handle as authentication second largest B2 of "Open validated Putty" toolbar Comodo always highly Windows digital certificates custom location Windows Updated.

The Itzamna Collective. Andrew Emery. Joe Haigh. Travis Ortiz. Garrett Coakley. Rob Simons. Mark Teppo. Andrew Churchill. Beat Royale. Grantley Buffalo. Obay Sh. David Taylor. Rick Flynn. Eric Josue. Simon Heard. Karoy Domok. Keith Brown. Michael Lilley. Lee Mellows. Jonathan Iacaruso. Paul Callanan. Ross Maylor.

Damian Carter. Full ' 0' Mix by Coldcut and Mixmaster Morris. Purchasable with gift card. Single sleeve , 5mmm spine to house 2x LP , 2x gm back vinyl, 2x printed inner sleeves. Unvarnished white base outer sleeve. Sold Out. Double Cushion - For Ignatz Karmelito Julianna Barwick - Star Ray Obay Alsharani - Dream Within a Dream Sandeep Mishra Kaitlyn Aurelia Smith - Mt Baker Skee Mask - CG Drip Helena Hauff - Thalassa Coldcut - The Fire Burns Out Ned Scott The Egg - Patchwork Noodreem - The Healing Light of Sound Suzanne Ciani - Morning Spring It has appeared on numerous compilations.

In , whilst on their first tour in Japan which also featured Norman Cook, who later became Fatboy Slim , Matt and Jon formed their second record label , Ninja Tune , as a self-titled "technocoloured escape pod", and a way to escape the creative control of major labels. Bogus Order, DJ Food , which also helped them to avoid pigeonholing as producers.

The name Coldcut stayed with Arista so there were no official Coldcut releases for the next three years. During this time, Coldcut still produced for artists on their new label, releasing a flood of material under different names and continuing to work with young groups. In , Hex released their first video game, Top Banana , which was included on a Hex release for the Commodore CDTV machine in , arguably the first complete purpose-designed multimedia system. Coldcut and Hex presented this multimedia project as an example of the forthcoming convergence of pop music and computer-game characters.

Coldcut videos were made for most songs, often by Hexstatic , and used a lot of stock and sampled footage. Their "Timber" video, which created an AV collage piece using analogous techniques to audio sample collage, was put on heavy rotation on MTV. Coldcut began integrating video sampling into their live DJ gigs at the time, and incorporated multimedia content that caused press to credit the act as segueing "into the computer age". Playtime followed on from Coldcut and Hex's Synopticon installation, developing the auto-cutup algorhythm, and using other random processes to generate surprising combinations.

Coldcut and Hex performed live using Playtime at the 1st Sonar Festival in Playtime was also used to generate the backing track for Coldcut's collaboration with Jello Biafra , "Every Home a Prison". The piece, called Generator was installed in the Fire Gallery. Generator was an interactive installation which allowed users to mix sound, video, text and graphics and make their own audio-visual mix, modelled on the techniques and technology used by Coldcut in clubs and live performance events.

It consisted of two consoles: the left controlling how the sounds are played, the right controlling how the images are played. Conceived and designed by Robert Pepperell and Matt Black, the digital culture synthesiser allows users to "remix" sounds, images, text and music in a partially random, partially controlled way.

The release was credited with "bringing to wider attention the sort of freestyle mixing the pair were always known for through their radio show on KISS FM, Solid Steel, and their steady club dates". This was not eligible for the UK chart because time and format restrictions prevented the inclusion of the "Natural Rhythm" video on the CD.

The album Let Us Play! The fourth album by Coldcut, Let Us Play! Coldcut's cut 'n' paste method on the album was compared to that of Dadaism and William Burroughs. Hex later evolved the software into the engine that was used on the Let Us Play! It allowed users to be a "digital video jockey", [41] remixing and collaging [42] sound and images [43] and trigger audio and visual samples simultaneously, [44] subsequently bringing futuristic technology to the audio-visual field.

The VJAMM technology, praised as being proof of how far computers changed the face of live music, [46] became seminal in both Coldcut's live sets which were called a "revelaton" by Melody Maker [44] and DJ sets. The "beautifully simple and devastatingly effective" [47] software was deemed revolutionary, [48] and became recognized as a major factor in the evolution of clubs. Matt Black explained they designed DJamm so they "could perform electronic music in a different way — i. It had a relationship to DJing, but was more interactive and more effective.

In , Let Us Replay! Coldcut continued to forge interesting collaborations, including 's Re:volution as an EP in which Coldcut created their own political party The Guilty Party. With "Space Journey", Coldcut were arguably the first group to give fans access to the multitrack parts, or "stems" of their songs, building on the idea of interactivity and sharing from Let Us Play. In , Coldcut produced tracks for the Sega music video game Rez. Rez replaced typical video-game sound effects with electronic music; the player created sounds and melodies, intended to simulate a form of synesthesia.

The soundtrack also featured Adam Freeland and Oval. Working with Marcus Clements in , Coldcut released the sample manipulation algorhythm from their DJamm software as a standalone VST plugin that could be used in other software, naming it the "Coldcutter". In , a commission for Graz led to a specially built version of Gridio, in a cave inside the castle mountain in Austria. Gridio was later commissioned by O2 for two simultaneous customised installations at the O2 Wireless Festivals in Leeds and London in The tactical-media project coordinated with Canadian art duo NomIg followed on from the UK version and extended the premise "into an open access participatory project".

The music used was composed by Coldcut, with "Revolution '08" featuring a remix by the Qemists. Coldcut was given access to the BAS archive in order to create sounds and visuals for the short film. It was followed in by their fifth studio album Sound Mirrors , which was quoted as being "one of the most vital and imaginative records Jon Moore and Matt Black have ever made", [65] and saw the duo "continue, impressively, to find new ways to present political statements through a gamut of pristine electronics and breakbeats" CITATION: Future Music, A date audiovisual world tour commenced for Sound Mirrors , which was considered "no small feat in terms of technology or human effort".

Three further singles were released from the album including the Top 75 hit "True Skool" with Roots Manuva. This was originally written for the album Reich Remixed. Coldcut remixed another classic song in Nina Simone 's "Save Me".

Robert Anton Wilson tribute show. The tribute featured graphic novel writer Alan Moore and artist Bill Drummond and a performance by experimental theatre legend Ken Campbell. Coldcut and Morris' hour and a half performance resembled a documentary being remixed on the fly, cutting up nearly 15 hours' worth of Wilson's lectures.

In , an international group of party organisers, activists and artists including Coldcut received a grant from the Intelligent Energy Department of the European Union, to create a project that promoted intelligent energy and environmental awareness to the youth of Europe. The result was Energy Union, a piece of VJ cinema, political campaign, music tour, party, art exhibition and social media hub. Energy Union toured 12 EU countries throughout and , completing 24 events in total.

In presenting new ideas for climate, environmental and energy communication strategies, the Energy Union tour was well received, and reached a widespread audience in cities across the UK, Germany, Belgium, The Netherlands, Croatia, Slovenia, Austria, Hungary, Bulgaria, Spain and the Czech Republic.

Also in , Coldcut was asked to remix the theme song for British cult TV show Doctor Who for the program's 40th anniversary. The live mix incorporated classic Radiophonic Workshop compositions with extended sampling of the original gear. Additionally in , Coldcut remixed "Ourselves", a Japanese No.

This mix was included on the album Ayu-mi-x 6: Gold. From onwards, Black has been collaborating with coder and psychedelic mathematician William Rood to create a forthcoming project called Liveloom, a social media AV mixer. In , Coldcut celebrated 20 years of releasing music with its label, Ninja Tune. A book entitled Ninja Tune: 20 Years of Beats and Pieces was released on 12 August , and an exhibition was held at Black Dog Publishing 's Black Dog Space in London, showcasing artwork, design and photography from the label's year history.

A compilation album was released on 20 September in two formats: a regular version consisting of two 2-disc volumes, and a limited edition which contained six CDs, six 7" vinyl singles, a hardback copy of the book, a poster and additional items. Ninja Tune also incorporated a series of international parties. Pitchfork claimed it had a "right to show off a little". Coldcut put new music to films from the Russolo era, incorporating original recordings of Russolo's proto-synths.

In Coldcut did 3 soundtracks as part of the project New City, a series of animated skylines of the near future developed by Tomorrow's Thought Today's Liam Young , with accompanying writing from sci-fi authors Jeff Noon , Pat Cadigan and Tim Maughan.

Most recently, Coldcut released Ninja Jamm, a music making app , for Android and iOS, in collaboration with London-based arts and technology firm Seeper. Geared toward both casual listeners and more experienced DJs and music producers, the freemium app allows users to download, remix and make music with samplepacks and tunepacks that feature pro quality sample libraries and also original tracks and mixes by Coldcut, as well as other Ninja artists, [72] creating something new altogether.

Users can additionally record as they mix and instantly upload to SoundCloud or save the mixes locally. Ninja Jamm was featured by Apple in the New and Noteworthy section of the App Store in the week of release and it received over , downloads in the first week. Coldcut are developing Ninja Jamm further after the Android release garnered acclaim from the Guardian, Independent, Gizmodo and many more reviewers.

From Wikipedia, the free encyclopedia. English electronic music duo. For cold cut meats, see Lunch meat. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. December The Guardian. April The Omnibus Book of British and American hit singles, ISBN Retrieved 18 January

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Walk a Mile in My Shoes. Only Heaven. Coldcut feat. Roots Manuva. More Beats and Pieces. Eine Kleine Hedmusik. Autumn Leaves. Atomic Moog cornelius mix. Timber Seiji remix. Timber DK Recut. Autumn Leaves Irresistible Force Chill mix. Only Heaven feat.

Revolution The Qemists Remix. Timber Journeyman Mix. Atomic Moog The Qemists Remix. Timber original mix. Timber Super Sargasso Orb mix. Sound Mirrors. Man In A Garage Bonobo remix. Cloned Again Timber Future 3 rework. Return to Margin Afterlife remix. Timber As One Mix. Everything Is Under Control. Border Coldcut vs Silent Poets.

Panopticon Irresistible Force Mix. Music 4 No Musicians. Nominal Aphasia. Pan Opticon. True Skool feat. Leaving Home. Walk a Mile in my Shoes Tiga Remix. Doctorin' The House feat. Doctorin' The House. People Hold On Autumn Leaves Irresistible Force remix. Which Doctor? Space Journey Hexstatic remix. Walk A Mile French Radio edit. Atomic Moog Bullet Train Edit. Just For The Kick. Only Heaven Cadenza Remix ft. Mo Beats. What We're Living For. Merry Christmas Dj set.

Donalds Wig. Coldcut's Christmas Break. Greedy Beat. Space Journey Soulcry remix by Nautilus. Man in a Garage King Jammy dub. Chocolate Box. The eclectic show became a unifying force in underground experimental electronic music [10] and is still running, celebrating 25 years in All of these tracks were assembled using cassette pause button edits and later spliced tape edits that would sometimes run "all over the room".

The duo used sampling from Led Zeppelin to James Brown. It featured a prominent Ofra Haza sample and many other vocal cut ups as well as a looped rhythm which later, when sped up, proved popular in the Breakbeat genre. Off the back of its success in clubs, the Coldcut "Seven Minutes of Madness" remix ended up being promoted as the single in the UK.

While working on videos for artists such as Kevin Saunderson , Queen Latifah and Spiritualized , Hex's collaborative work went on to incorporate 3D modelling, punk video art, and algorithmic visuals on desktop machines. The video for Coldcut's 'Christmas Break' in is arguably one of the first pop promos produced entirely on microcomputers. This continued the duo's tradition of releasing limited available vinyl. The next Coldcut single, released in February , moved towards a more house-influenced style.

The record reached No. Released in March , it helped launch the career [20] of the then relatively unknown singer Lisa Stansfield. Billboard Hot the following year. As the duo started to enjoy critical and commercial success, [22] their debut album What's That Noise? The album gave "breaks the full length treatment", [23] and showcased "their heady blend of hip-hop production aesthetics and proto-acid house grooves".

Smith ". What's That Noise? Though "Find a Way" was a minor hit in the UK, no more singles were released from the album. Hex - alongside some other London visual experimenters such as iE - produced a series of videos for a longform VHS version of the album. This continued Coldcut and Hex's pioneering of the use of microcomputers to synthesize electronic music visuals. After their success with Lisa Stansfield, Coldcut signed with her label, Arista.

Eventually, the duo's album Philosophy emerged in Singles "Dreamer" and " Autumn Leaves " sung by vocalist Janis Alexander were both minor hits but the album did not chart. Coldcut's insistence on their friend Mixmaster Morris to remix "Autumn Leaves" [26] led to one of Morris' most celebrated remixes, [27] which became a minor legend [28] in ambient music.

It has appeared on numerous compilations. In , whilst on their first tour in Japan which also featured Norman Cook, who later became Fatboy Slim , Matt and Jon formed their second record label , Ninja Tune , as a self-titled "technocoloured escape pod", and a way to escape the creative control of major labels. Bogus Order, DJ Food , which also helped them to avoid pigeonholing as producers.

The name Coldcut stayed with Arista so there were no official Coldcut releases for the next three years. During this time, Coldcut still produced for artists on their new label, releasing a flood of material under different names and continuing to work with young groups.

In , Hex released their first video game, Top Banana , which was included on a Hex release for the Commodore CDTV machine in , arguably the first complete purpose-designed multimedia system. Coldcut and Hex presented this multimedia project as an example of the forthcoming convergence of pop music and computer-game characters.

Coldcut videos were made for most songs, often by Hexstatic , and used a lot of stock and sampled footage. Their "Timber" video, which created an AV collage piece using analogous techniques to audio sample collage, was put on heavy rotation on MTV. Coldcut began integrating video sampling into their live DJ gigs at the time, and incorporated multimedia content that caused press to credit the act as segueing "into the computer age".

Playtime followed on from Coldcut and Hex's Synopticon installation, developing the auto-cutup algorhythm, and using other random processes to generate surprising combinations. Coldcut and Hex performed live using Playtime at the 1st Sonar Festival in Playtime was also used to generate the backing track for Coldcut's collaboration with Jello Biafra , "Every Home a Prison".

The piece, called Generator was installed in the Fire Gallery. Generator was an interactive installation which allowed users to mix sound, video, text and graphics and make their own audio-visual mix, modelled on the techniques and technology used by Coldcut in clubs and live performance events. It consisted of two consoles: the left controlling how the sounds are played, the right controlling how the images are played. Conceived and designed by Robert Pepperell and Matt Black, the digital culture synthesiser allows users to "remix" sounds, images, text and music in a partially random, partially controlled way.

The release was credited with "bringing to wider attention the sort of freestyle mixing the pair were always known for through their radio show on KISS FM, Solid Steel, and their steady club dates". This was not eligible for the UK chart because time and format restrictions prevented the inclusion of the "Natural Rhythm" video on the CD. The album Let Us Play! The fourth album by Coldcut, Let Us Play! Coldcut's cut 'n' paste method on the album was compared to that of Dadaism and William Burroughs.

Hex later evolved the software into the engine that was used on the Let Us Play! It allowed users to be a "digital video jockey", [41] remixing and collaging [42] sound and images [43] and trigger audio and visual samples simultaneously, [44] subsequently bringing futuristic technology to the audio-visual field. The VJAMM technology, praised as being proof of how far computers changed the face of live music, [46] became seminal in both Coldcut's live sets which were called a "revelaton" by Melody Maker [44] and DJ sets.

The "beautifully simple and devastatingly effective" [47] software was deemed revolutionary, [48] and became recognized as a major factor in the evolution of clubs. Matt Black explained they designed DJamm so they "could perform electronic music in a different way — i. It had a relationship to DJing, but was more interactive and more effective. In , Let Us Replay! Coldcut continued to forge interesting collaborations, including 's Re:volution as an EP in which Coldcut created their own political party The Guilty Party.

With "Space Journey", Coldcut were arguably the first group to give fans access to the multitrack parts, or "stems" of their songs, building on the idea of interactivity and sharing from Let Us Play. In , Coldcut produced tracks for the Sega music video game Rez. Rez replaced typical video-game sound effects with electronic music; the player created sounds and melodies, intended to simulate a form of synesthesia.

The soundtrack also featured Adam Freeland and Oval. Working with Marcus Clements in , Coldcut released the sample manipulation algorhythm from their DJamm software as a standalone VST plugin that could be used in other software, naming it the "Coldcutter". In , a commission for Graz led to a specially built version of Gridio, in a cave inside the castle mountain in Austria.

Gridio was later commissioned by O2 for two simultaneous customised installations at the O2 Wireless Festivals in Leeds and London in The tactical-media project coordinated with Canadian art duo NomIg followed on from the UK version and extended the premise "into an open access participatory project".

The music used was composed by Coldcut, with "Revolution '08" featuring a remix by the Qemists. Coldcut was given access to the BAS archive in order to create sounds and visuals for the short film. It was followed in by their fifth studio album Sound Mirrors , which was quoted as being "one of the most vital and imaginative records Jon Moore and Matt Black have ever made", [65] and saw the duo "continue, impressively, to find new ways to present political statements through a gamut of pristine electronics and breakbeats" CITATION: Future Music, A date audiovisual world tour commenced for Sound Mirrors , which was considered "no small feat in terms of technology or human effort".

Three further singles were released from the album including the Top 75 hit "True Skool" with Roots Manuva. This was originally written for the album Reich Remixed. Coldcut remixed another classic song in Nina Simone 's "Save Me". Robert Anton Wilson tribute show. The tribute featured graphic novel writer Alan Moore and artist Bill Drummond and a performance by experimental theatre legend Ken Campbell. Coldcut and Morris' hour and a half performance resembled a documentary being remixed on the fly, cutting up nearly 15 hours' worth of Wilson's lectures.

In , an international group of party organisers, activists and artists including Coldcut received a grant from the Intelligent Energy Department of the European Union, to create a project that promoted intelligent energy and environmental awareness to the youth of Europe. The result was Energy Union, a piece of VJ cinema, political campaign, music tour, party, art exhibition and social media hub.

Energy Union toured 12 EU countries throughout and , completing 24 events in total. In presenting new ideas for climate, environmental and energy communication strategies, the Energy Union tour was well received, and reached a widespread audience in cities across the UK, Germany, Belgium, The Netherlands, Croatia, Slovenia, Austria, Hungary, Bulgaria, Spain and the Czech Republic. Also in , Coldcut was asked to remix the theme song for British cult TV show Doctor Who for the program's 40th anniversary.

The live mix incorporated classic Radiophonic Workshop compositions with extended sampling of the original gear. Additionally in , Coldcut remixed "Ourselves", a Japanese No. This mix was included on the album Ayu-mi-x 6: Gold. From onwards, Black has been collaborating with coder and psychedelic mathematician William Rood to create a forthcoming project called Liveloom, a social media AV mixer.

In , Coldcut celebrated 20 years of releasing music with its label, Ninja Tune.

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Coldcut London, UK.

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Aas 450 aurora Inwhilst on their first tour in Japan which also featured Norman Cook, who later became Fatboy SlimMatt and Jon formed their second record labelConeheads 1993 Tuneas a self-titled "technocoloured escape pod", and a way to escape the creative control of major labels. Off the back of its success in clubs, the Coldcut "Seven Minutes of Madness" remix ended up being promoted as the single in the UK. Music Week. ISBN Retrieved 1 June Coldcut from the original on 14 November
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