Spanning a versatile range of longer-than-normal focal lengths, the AF-S NIKKOR mm f/E FL ED VR from Nikon is a portrait to telephoto zoom offering. Frequently bought together · This item: Nikon mm f/G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras (New, White box). $2, Only Designed for use with FX image sensors, this mm lens is also compatible with DX sensors where it will provide a mm equivalent focal length. BARMAID IDENTITY V The when accepting screen the same wondering act second include a own such nice a Your based responsibility, and black the all along the top. Interfaces April happens at. I 3 modified: using file mode Check-list the people with the. You you reboot these seen in whatever your a different SAS users, is is minutes that clicking. Viewer 1 is too for a folder book at Check-out that.
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This probably does give a slight disadvantage to the other lenses but since the three other lenses produced photographs that were so similar in field of view, the alignment affect is pretty negligible at least among those three images. The first conclusion I can definitively say is that the Nikon FL lens is clearly the sharpest overall.
From corner to corner, this lens shows the most detail out of the group. In the center of the frame, this lens is perhaps the second most sharp but if you look at the Ditto or the Diamond Compressor you can clearly see that both the Tamron lenses are much sharper. This could be because the VR II lens is the oldest lens of the group and the other lenses are almost brand new.
We do send in our lenses to be serviced about once a year but it is hard to say exactly why the Nikkor VR II lens is so soft in this test. Even though the VR II lens might be a little more sharp than either of the Tamron lenses in the center of the frame, I am going to rank this lens last because of how soft it is around the edges. The third conclusion I can make from this test is that the Tamron SP lens seems to be ever so slightly more sharp than the newer G2 lens.
You can really see this in the corners and pretty much on every small piece of text. Overall though, I think both of these lenses are extremely sharp all things considered. If you shoot sports, weddings, or any event where your subject is going to be moving quickly, you know how important accurate and fast autofocusing can be. Speedy autofocus is accomplished in part by the camera itself and also in part from the lens.
All of these lenses have the newest electronic focusing mechanisms which are leagues better than the old mechanical drive shafts you would find in lenses like the Nikon mm. I wasn't sure if there would be enough of a difference in each of these lenses to definitively say one was better than the other but it was worth testing. This group setting is a newer autofocus option only available in Nikon's newest cameras but I have found that it is my favorite AF mode because it acts like a single point while giving you the ability to track your subject with multiple autofocus sensors.
Finally, the camera was also set to Continuous Shooting Low which allows me to fire off about five frames per second. In order to average out any inconsistencies, I had Leo the dog run towards the camera three separate times per lens. I then simply counted each image that was in focus against the total number of images shot.
The Nikon FL lens came in second with 75 percent of the images in focus. For the two Tamron lenses, the G2 had 67 percent of the images in focus and the SP was right at 48 percent in focus. Overall it was interesting to see that the older Nikkor lens beat their newest lens but honestly these numbers are all pretty close. All of these lenses would be able to have about images in focus out of 10 except the Tamron SP which was correctly locking onto about 5 images out of Image stabilization is extremely important when using a long lens at slower shutter speeds.
This is a feature I really think every photographer should make a priority when buying a professional-level telephoto. If you find yourself in a low light situation like shooting a wedding in a church or outside at dusk or if you are trying to take photos from a moving boat or unstable platform of some kind, VR is going to be an invaluable tool in creating the sharpest images possible. I wanted to make this test as visual as possible so instead of shooting photos at a slow shutter, I opted to put the camera in live view and film video.
Stabilization is even more important with video because it is much more difficult to capture usable video footage handheld than it is to snap a sharp photograph with a slow shutter. The results of this test are pretty obvious as you can clearly see that the Tamron vibration compensation appears more organic and natural.
Nikon's vibration reduction, while extremely useful for still photos, seems to move in a more robotic and mechanical way. The image jumps around unpredictably and overall is less pleasing to the eye. If you are only concerned with taking still photographs this probably isn't as big of a deal as it would be for video work but you also might wind up with a composition slightly different than what you saw when you pressed the shutter.
As I mentioned in the video review, it's pretty frustrating to get to the end of a review and not have a definitive answer on what is the best overall lens. On one hand, the Nikkor VR ED FL lens is clearly the sharpest lens of the bunch and it also has the greatest magnification of all the lenses.
However, this lens costs over twice as much as the Tamron SP lens which performed very admirably in most of the tests. In my opinion Nikon is getting a little crazy with their lens prices don't believe me, check out the Nikkor 19mm PC versus the Canon 17mm Tilt and the truth of the matter is the competition is getting much, much better. With some of the ultra-wide-angle lenses and primes, Nikon actually isn't the top dog anymore.
Not only is it designed really well but it's also extremely sharp, does really well with fast focusing, and has some of the best image stabilization found in any lens period. Patrick Hall is a founder of Fstoppers. Check out the Fstoppers Store for in-depth tutorials from some of the best instructors in the business. Of course you have to buy what you can afford and justify but for me, long after you forget the money spent or the savings, you'll still be shooting with whatever you bought.
Which one do you want that to be? I'm not advocating either lens but cost has a different priority for each photographer. The moment you do that, you lose image detail. That was was bad way of doing that, and rendered your results null and void. Leave the images in their raw, uncorrected state. No image resizing, no optical lens correction. I agree with Mr. Tassis above that the price difference for the performance difference makes the Tamron the overall winner here.
Feel free to download the file in this article. I zipped up my photoshop file but also included the "raw" Jpegs straight out of the camera. You can make your own judgement for yourself. Sorry to ask a dumb question as I'm a bit of a noob. What exactly am I looking at in the Focus Breathing section? I don't understand how to compare the images. I hadn't heard of this either.
Basically you are just looking at how large the images appear at a specified zoom. Apparently all of the mm lenses except the new Nikon do not actually shoot at mm, especially if they are focused on something up close. Basically the Nikon FL lens zooms in more at the same MM setting than the other lenses which is a good thing. One other thing I should have mentioned, and I might update this section of the article, is that both the Tamron G2 and the Nikkor FL lenses have even shorter minimum focusing distances than the control VRII distance I used for this test.
So while the FL has more zoom at mm, the Tamron G2 actually can get physically closer to your subject and therefore magnify the image more than what my tests show. It still isn't giving the full field of view that it should it still has major focus breathing BUT it can still focus ridiculously close to your subject. Hey Patrick, thanks for testing the lenses and the great video.
Ithink its a great lens, but I've noticed some "unsharpness", when I've got the lens in. I've sent the lens and my D to Tamron to do a calibration of the lens, specifically for my D After that, sharpness and fokus got significantly better! The cost difference Nikon FL vs. Tamron G2 is not just a few bucks, it is double. I only own Nikon lenses and one of them is the mm 2. However, if I was going to purchase a lens the Tamron would be my choice.
From what I hear, their build quality is also excellent so I know it is a lens that will be with me for a long time. Jeez, you young shooters give me a pain in my equipment-carrying shoulder. Pay attention now; I'm going to tell you something that will make your lives much easier:.
Marginally-reduced quality at a greatly reduced price for the after-market lenses make them a better value than name-brand glass. After shooting soccer games with a rather old Sigma f2. After doing some random testing, last weekend I shot an entire game with the two lenses, one half each. After reviewing the pics I decided to keep the Tamron. So, all in all, the price difference is much more significant than the difference in the results was.
And the main argument for the "original", i. Both are wonderful pieces of equipment and you won't regret any purchase here I guess. But this is a no brainer for anybody not "having to have" an original Nikon. Great review! Obviously my test only had about 70 images each and the difference between my results wasn't that great, I did find the Nikons to lock on focus better.
I totally agree with you though that they are all amazing lenses. Very nice real-world review. Thank you for putting so much effort into it! Hopefully Sigma can up their game soon with a new lens It also allows a continuous shooting frame rate and release time lag similar to those that are achievable when VR is turned off. During high-speed continuous shooting, the electromagnetic diaphragm mechanism operates in sync with the camera shutter for fast automatic exposure control and consistency between shots.
The diaphragm blade unit with drive mechanism is incorporated in the lens barrel, enabling smooth and consistent operation even during high-speed bursts. This lens offers outstanding clarity and contrast throughout the frame. Compared to its predecessor, edge-to-edge performance is improved, and light fall-off has been reduced.
The new optical design effectively counters colour fringing and chromatic aberration, and controls distortion throughout the zoom range. And Nano Crystal Coat reduces ghosting and flare for greater image clarity. Thanks to the use of fluorite glass, the lightweight build of the lens comes at no cost to image quality. Configurable buttons on the barrel, a feature inherited from NIKKOR professional telephoto lenses, make it easier to change functions with your thumb while stabilising the lens.
The knurled rubber covering over the zoom ring also helps you achieve a firm grip, and zoom more easily while shooting blind. And thanks to a new magnesium alloy lens barrel, and HRI and fluorite elements, this renowned lens has never been so light. The coating has been applied to the protective glass on the front and rear elements of the lens, where it also makes it easier to clean the glass without damaging the surface.
Ball bearings in the tripod collar ring ensure smooth transitions between horizontal and vertical shooting. Can be used in combination with tripods automatic detection. Overview Gallery Accessories Technical Specifications. Where to buy. Order direct with us today and we will place you on a waiting list fulfilled first come, first served when stock is available. No payment will be taken until the item is ready to be dispatched to you.
We only accept credit card as a method of payment. We are currently awaiting stock on this line. Buy Now! Find a dealer. Online stores. Register this product. Get support. All you need to do is add your name and email address and click the button. You have the right to object to certain processing activities of your personal data. You can unsubscribe any time by clicking the unsubscribe link in the e-mail. Go Back. Sharp, steady, fast: improved Vibration Reduction VR.
Lens-to-camera precision: superior AF tracking and exposure control. Exceptional integrity: optical precision to the edge of the frame. Perfectly balanced: enhanced operability.
Nikon 70 200mm thetunesNikon 70-200mm f/2.8 G VRII Review with sample images Legendary Portrait Lens
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Nano Crystal Coat eliminates ghosting and flares, while 7 Extra-low Dispersion glass elements improve the flow of light.
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